Anastasiia Cherkasova

This avatar has already brought me a client. But then the interesting part began. The client decided to expand the project and asked if I could create a German version of the video. I wasn't prepared for that. 🤷‍♀️ I work in four languages, but German isn't one of them. I don't understand the language at all. I honestly have no idea how the words are even supposed to be pronounced! Still, I was curious, so I immediately started looking for a platform that could translate the video without losing quality. In the end, I decided to try Synthesia Video Translator. I sent the video to the client... A couple of days later, he came back with a new order for several more videos. So in 2026, not speaking a language is no longer a barrier to working with international clients. You just need the right tools. Thanks to Synthesia for providing me with access to AI Video Translator so I could test it. If you'd like to try the FREE AI Video Translator in 130+ languages, comment "X" below and I'll send you the link. #ad #synthesia

Sometimes advertising isn't about selling a product, it's about the aesthetic. This video is my creative interpretation inspired by the design of SATO eyewear. I didn't try to recreate the original model. Instead, I changed it and adapted it to my own vision. I wanted to show that eyewear advertising doesn't have to revolve around the product itself. Contrast, camera movement, editing rhythm, music, and the overall atmosphere can turn an ordinary accessory into an object of desire. I experimented with the presentation. What do you think? #AIVideo #AICommercial #LuxuryAdvertising #Sunglasses #DigitalCreator #AIArt

📣 Watch with sound 🔊 Sometimes, one piece of work opens an unexpected door. You simply create. Experiment with visuals, movement, stories. You share your work — and you never really know who might see it on the other side of the screen. More often than not, that's exactly how people find you. And since this opportunity came my way, I've decided to pass the baton on. If you create films and have been thinking about showing your work to a wider audience for a while — maybe this is your sign. Submissions for the Opus Film Awards are now open. The deadline is September 5, 2026. Festival link in the comments ⬇️ A special thank you to the organizer of the Opus Film Awards Chanade R. for the personal invitation to take part in the festival and for the opportunity to share this with my community. 🎬 P.S. A little glimpse of what I'm working on right now. Maybe for the festival. Who knows? 👀 #AIFilm #AIFilmmaking #GenerativeFilm #DigitalStorytelling #OpusFilmAwards

Yesterday, a client messaged me. I signed up on a freelance platform a long time ago, but I hardly ever go there. And then, out of nowhere, I got a message: a client was asking me to send more examples of my work with AI avatars. And I hadn’t made avatars in about four months.🙊 The most interesting part is that I don’t even have subscriptions to any specialized avatar platforms right now. At the moment, all I had was Kling. So, what was I supposed to do? I decided to try doing everything in Kling. I created an avatar, and then made the video with a single prompt: I specified what she should say, how she should behave, and what movements she should make. And the quality of the result genuinely surprised me. I made a few more avatars, created several videos, and sent everything to the client. Most likely, this post wouldn’t even exist if the client hadn’t accepted my examples and ended up placing an order with me. Because I don’t know that much about avatars, and I probably would have thought: well, maybe something isn’t quite right here. But the client liked the result. And I got the order. And now I have one question: why do we even need so many different AI tools if one tool can already handle almost the entire process? Or do specialized platforms still do it better? Created with Kling AI. #AIVideo #AIAvatar #GenerativeAI #ContentCreation #DigitalMarketing

"Give a girl the right shoes, and she can conquer the world." — Marilyn Monroe. Luxury isn't about showing more. It's about making every detail impossible to ignore. This concept explores how AI can visualise premium footwear the way luxury brands expect it: flawless materials, physically accurate lighting, elegant runway movement, and uncompromising visual quality. The real challenge isn't generating beautiful frames. It's maintaining consistency, realism, and brand-level quality throughout the entire sequence. Implementing these production workflows is essential for meeting the strict requirements of high-end commercial advertising, ensuring a polished, market-ready aesthetic across all brand assets. Image and video created with Kling AI. #AI #Luxury #Fashion #LuxuryMarketing #AIAdvertising #CreativeAI #FashionFilm #Branding

How I saved time in production by stopping my fight with AI⌛ In the comments, I was asked to share my insights, so here they are. In my latest project, I tried different tools, but none of them delivered what I wanted. I had a specific vision—a clear white dot and a specific trajectory. I spent time working on it until I tested Kling Video 3.0 Omni —a tool I used previously for different goals and tasks. It turned out its functions are much wider.😯 As a result, I achieved the required precision on the first attempt, with no need for endless iterations. And if you are interested, in one of my next posts, I will share and show how I did it and what prompt I used. #AIProduction #KlingAI #CommercialProduction #VideoStrategy #Generative

Can traditional filmmaking do this? How much time would it take? What kind of budget? What size of team would be needed to create something like this? Thanks to AI, we can now create and showcase results like this in a fraction of the time, with a fraction of the budget. #LumaAI #Luma #AIFilmmaking #GenerativeAI #AIFilm

Hollywood DROPS millions just to screw up, yet you’re still blaming AI? Whenever an AI creator drops a concept or a short film, the "experts" crawl out of the woodwork: — "The physics are broken, the lighting is trash!" — "It looks plastic and cheap." — "That’s not a real job, that’s just total bullshit."🤦 Let’s take off the rose-colored glasses!👓 High-end film and commercial spots havе never been flawless. If we held industry pros to the same brutal standards they push on AI, their greatest masterpieces would’ve flopped. Big brands burn through hundreds of millions, yet they still let glaring, amateur mistakes make the final cut. Swipe through. ➡️ Slide 1: Gladiator (2000) — With a $103M budget, there are officially about 100 continuity errors, including a gas canister clearly visible in the frame during the battle. But here's the real logic fail: the hero compares the black color of the dirt to his wife's hair, even though her hair is red on screen. Slide 2: Pirates of the Caribbean: The Curse of the Black Pearl (2003) — A massive $140M blockbuster, yet the editors somehow missed a guy in a modern white T-shirt and a cowboy hat just hanging out on the ship during the final scene. It’s not just a "mistake"—it’s a total immersion killer that made the final cut. Slide 3: Gucci (2012) — Millions in marketing, yet the retouchers completely butchered the anatomy: the leg was photoshopped to an unnatural thinness, and the bag placement makes it look like the limb is growing out of the accessory. Despite this massive retouching fail, the campaign wasn't pulled and actually drove sales for the brand. Slide 4: Chanel No. 5 (2012) — A $7M ad that got absolutely roasted by industry pros. Three major failures: flat, amateurish lighting, sloppy skin retouching, and a completely incoherent edit. Still, it pulled in millions of views. All this aggression is predictable: the "old guard" is feeling the heat because AI is doing the same work, only faster and cheaper, devaluing their bloated budgets. Let’s treat each other with respect—errors ERRORS HAVE ALWAYS EXISTED AND ALWAYS WILL. But gatekeeping and trying to tear down a new profession? That’s a dead end. Why do mistakes in traditional production still make millions, while the industry keeps dismissing AI work as 'unprofessional'? What do you think Moritz Hahn, Rickard Lönn Lindau, Timo Buchner, Jimmy Woolley, Vani S., Shailesh Shakya Kling AI, Runway Luma? #FilmProduction #BehindTheScenes #VisualStorytelling #Cinema #ContentStrategy

I was wrong! Six months ago, I thought realism in AI depended mostly on choosing the right model. It doesn't. The right model gives you a better starting point, but it doesn't guarantee a believable result. Some tools are excellent for video but struggle with photorealistic stills. Others produce beautiful images but fall apart once the scene starts moving. Over the past few months, I've stopped looking for the "best" AI model. Instead, I've started treating each model as a specialised tool with its own strengths and limitations. The real skill isn't knowing one model. It's knowing which model to use for each stage of production. That's where commercial-quality AI is heading. Video created with Kling AI Images created with Lumoo (Uni -1, ChatGPT-4o). #LuxuryAdvertising #DigitalLuxury #LuxuryMarketing #BrandCampaign #FashionTech #FashionInnovation

Music can make or BREAK a luxury advertisement. A visual can be beautiful, but the right sound can completely change the way people feel it. For every project I create, I spend a lot of time searching for the right track. I can go through countless platforms, listen to hundreds of songs, and keep digging until I find the one that doesn’t just fit the visual… The one that makes me freeze. The one that makes me feel: “this is it.” I believe a strong visual should already speak without music. The image itself should carry the story. But when the right sound meets the right visual, it becomes something else. It takes the film to another level. For me, music is not just an addition. It is part of the story, part of the vision, part of the emotional connection. How important is music in your creative process? #LumaAI #Kling #LuxuryBranding #FragranceFilm #AIVisuals